DRIVE WOLVES MAD

“This work dances with doubt: who is predator and who is prey, who is friend and who is enemy, who is subject and who is object? These artists play with expectations around white cis-womanhood and non-binariness with their failed disguises, deadpan humor and powerful partnering.“

“Throughout Drive Wolves Mad, McCarthy and Peterson play with the mundane, unzipping it to expose the boisterous, and twisting “the regular” into slightly unsettling irregular forms… The dancing, which may seem simple at first glance, was executed with clean unison by clearly trained modern dancers deeply rooted in Seattle’s distinctly postmodern scene. Later, after they removed their masks, the performers’ intention of movement became even clearer; tactile, embodied, and satisfying in their use of repetition.“